Visit my 2011 Work Folio on Scribd. You can view, print or download the file!
akinseyestudio@outlook.com ------------- https://www.behance.net/olusolaakinseye
Saturday, January 14, 2012
Sunday, December 25, 2011
Recent Work: Poster Designs on Conservation Of Resources
Along with the news that earth's population is now 7 billion comes the realisation that we all need to pitch in and use our resources with wisdom. We need to take measures to expend electricity, consume food and use water responsibly. This makes economic sense and it goes a long way to improve our lives. It also means there will be more to go around. If this makes sense when practiced by an individual, then it is no less sensible if observed on a larger scale.
The following designs are based on the conservation message. The designs were created on CorelDRAW X4.
The following designs are based on the conservation message. The designs were created on CorelDRAW X4.
Saturday, December 24, 2011
Past Work: Portrait Paintings For My Sisters
A few years back, I made portrait paintings for my sisters, Arin and Oye. The paintings were oil on canvas with simple wood frames. I neglected to snap photos of the works on completion but later received these snapshots. Just my way of saying thanks to two wonderful women who have encouraged and supported me over the years.
Monday, December 12, 2011
Recent Work: 'Nigeria's Debt Hits N5.82 Trillion Naira' Cartoon
I read that Nigeria owes about N5.82 trillion, and this does not include state debts (Punch Newspapers, by Everest Emaefule). We have gotten so used to negative news about large sums of money we no longer realise how daunting these figures actually are, even in these times of economic distress.
The idea for this cartoon came to me as I read the news yesterday. For those unfamiliar with Nigeria's brand of locally fabricated English, the following translation should suffice.
Mother: My child, how many ten naira notes make up one trillion naira?
Son: I can not tell, mother.
Son (thought): I do not want you to suffer a heart attack.
On another note, as I upload this cartoon, I realise this is my 100th post. 100 updates! My appreciation goes to the readers of this blog. Readers from as far as Russia, India, the U.S., the U.K., South Korea, Germany and everyone else. Thanks to Google Analytics I can acknowledge your visit.
Mother: My child, how many ten naira notes make up one trillion naira?
Son: I can not tell, mother.
Son (thought): I do not want you to suffer a heart attack.
On another note, as I upload this cartoon, I realise this is my 100th post. 100 updates! My appreciation goes to the readers of this blog. Readers from as far as Russia, India, the U.S., the U.K., South Korea, Germany and everyone else. Thanks to Google Analytics I can acknowledge your visit.
Sunday, December 11, 2011
Recent Event: Reorganisation & Redesign Of My Blogs & Portfolios
I have reorganised my sites for more interesting viewing. All my relevant links can be found on my landing page at olusolaakinseye.blogspot.com. From there you can choose what you want to see or where you'd like to go. The attached image clearly explains this.
Thank you for visiting my site. I hope you always have a reason to keep coming. I promise to always have something new to show. Cheers!
Friday, December 9, 2011
Monday, December 5, 2011
Recent Work: 'Police Arrest Native Doctor' Cartoon
I read about the splendid work the Onitsha Police did over this weekend (Punch Newspapers, written by Emmanuel Obe). The culprits included a 'juju man' who provided supernatural protection for the armed thieves. Though armed robbery is a sad and serious matter, I found the superstition of the robbers and the moment of clarity, when they discover their faith in charms was futile, to be very funny. Hence this cartoon.
Copyright 2011 Olusola Akinseye.
Copyright 2011 Olusola Akinseye.
Wednesday, November 23, 2011
Recent Work: Ancient Yoruba Character Designs
I am working on a project that requires period designs of six characters from the political and military life of ancient Yoruba culture. I found the Oba, Iyalode, Oluwo, Balogun, Eso and Ilari suitable for my purpose.
The pencil art has been ready over a year but I just had time to work on the painting.
I felt my first Iyalode design (below) was too modern. I decided to make her look more 'powerful' to reflect her political might (above).
All artwork copyright 2011 Olusola Akinseye

All artwork copyright 2011 Olusola Akinseye
Saturday, November 12, 2011
Recent Work: Poverty And Hunger In Africa Cartoon
I just finished illustrating a cartoon about poverty and hunger in Africa. I based my concept on the wide difference between the abundance of the ‘Haves’ and the abject lack of the ‘Have-nots’. The visual might seem a bit distasteful for some, but I feel it aptly demonstrates the current state and expectation of the impoverished.
The first sketch captures the composition in profile. I later felt it was too tidy and I could have done a better job illustrating the obese man stuffing himself. A point of interest for me in this composition, is the reality of ‘trickle-down’ economics in third world society. That is, the improvement of the state of the poor is connected to what flows down from above. And we all know what flows downhill.
Copyright 2011 Olusola Akinseye
Labels:
Africa,
art,
cartoon,
colour,
competition,
illustration,
line art,
man,
Nigeria,
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photoshop,
poverty,
sketch
Thursday, October 20, 2011
Past Event: My Struggle For Illustration Credit
These ink portraits were commissioned in 2003 (I think). Back then I did not get credit for my work. I sheepishly (and rebeliously) slipped in my initials into one of the portraits.
The illustrations were part of a commission for the biographies of two icons of Nigeria's history and politics- Sir Alhaji Amadu Bello and Chief Obafemi Awolowo. The later was reviewed in one of the nations newspapers and my artwork was praised. Unfortunately, the reviewer referred to me as 'the artist' as the book did not bear my illustration credit.
That event showed me how much damage I was incurring by not being credited. Shortly after, I totally refused to work for any client that (for whatever reason) would omit my credit in their publications. My new stance met with some resistance at first. One client insisted that I not work for any other publisher in other to be granted recognition for my works. But I have also meet clients that were even willing to add my contact details to my credits in their publications.
Today, about 50% of my commissions come from reference from past works. That's just one of the landmark events in my journey as a professional freelance illustrator in Nigeria.
That event showed me how much damage I was incurring by not being credited. Shortly after, I totally refused to work for any client that (for whatever reason) would omit my credit in their publications. My new stance met with some resistance at first. One client insisted that I not work for any other publisher in other to be granted recognition for my works. But I have also meet clients that were even willing to add my contact details to my credits in their publications.
Today, about 50% of my commissions come from reference from past works. That's just one of the landmark events in my journey as a professional freelance illustrator in Nigeria.
Labels:
amadu,
art,
awolowo,
bello,
book,
credit newspaper,
hero,
illustration,
line art,
man,
Nigeria,
politics,
portraits,
publishing
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