Recent Work: Character Designs

I was commissioned to create characters for a series of publications last month. One is an ordinary guy while the other is more manly or heroic. This is my take on the brief...

Recent Work: Ancient Yoruba Character Designs

I am working on a project that requires period designs of six characters from the political and military life of ancient Yoruba culture. I found the Oba, Iyalode, Oluwo, Balogun, Eso and Ilari suitable for my purpose.

 

 

 

 

The pencil art has been ready over a year but I just had time to work on the painting.

 

 

 

 

 

I felt my first Iyalode design (below) was too modern. I decided to make her look more 'powerful' to reflect her political might (above).

All artwork copyright 2011 Olusola Akinseye

Recent Work: Poverty And Hunger In Africa Cartoon

I just finished illustrating a cartoon about poverty and hunger in Africa. I based my concept on the wide difference between the abundance of the ‘Haves’ and the abject lack of the ‘Have-nots’. The visual might seem a bit distasteful for some, but I feel it aptly demonstrates the current state and expectation of the impoverished.

The first sketch captures the composition in profile. I later felt it was too tidy and I could have done a better job illustrating the obese man stuffing himself. A point of interest for me in this composition, is the reality of ‘trickle-down’ economics in third world society. That is, the improvement of the state of the poor is connected to what flows down from above. And we all know what flows downhill. 

The second composition took about 5 hours to complete.

  

I focused on visually displaying the supply difference: surfeiting against limited supply.

 

I did not want to resort to the common cartoon practice of sticking a label on the second man that reads ‘Africa’. I feel the observant viewer might instead notice the peculiar shape of his head.

 

Copyright 2011 Olusola Akinseye

Past Event: My Struggle For Illustration Credit

These ink portraits were commissioned in 2003 (I think). Back then I did not get credit for my work. I sheepishly (and rebeliously) slipped in my initials into one of the portraits.

 

The illustrations were part of a commission for the biographies of two icons of Nigeria's history and politics- Sir Alhaji Amadu Bello and Chief Obafemi Awolowo. The later was reviewed in one of the nations newspapers and my artwork was praised. Unfortunately, the reviewer referred to me as 'the artist' as the book did not bear my illustration credit.

That event showed me how much damage I was incurring by not being credited. Shortly after, I totally refused to work for any client that (for whatever reason) would omit my credit in their publications. My new stance met with some resistance at first. One client insisted that I not work for any other publisher in other to be granted recognition for my works. But I have also meet clients that were even willing to add my contact details to my credits in their publications.

Today, about 50% of my commissions come from reference from past works. That's just one of the landmark events in my journey as a professional freelance illustrator in Nigeria.

 

Recent Work: Character Designs For Fairy Tale

I created some designs for a prospective commission featuring the ever troublesome Tortoise and his friend Rabbit in an adaptation of a well-told Yoruba folk tale. The designs were made in CorelDRAW X4.

 All the designs are copyright protected.

Past Work: Animals In Vector Illustration

I made several illustrations for a pre-primary text book several years ago. It was a chance to work in vector and I really enjoyed creating so many spot illustrations. Below are some of the animals in the book.

Recent Work: The Big Bad Wolf

The tale of The Three Little Pigs is a very popular one, especially because of the villain of the story- the big bad wolf. I find it fun to retell the story in a different genre. This poser design features an adaptation of the tale in a gangland, film-noir-influenced concept. The pig brothers (Hayes, Woody and Rocky) are real estate moguls who are in conflict with an unnamed enemy. Enter the Big Bad Wolf aka The Huff and Puff Bounty Hunter with his Mega Blower gun. The hit is on.

Character design: The faces of the pig brothers feature in my design concept. Hayes is the pig that built his house with hay. He dons a straw hat and wears a holiday pattern shirt. He has a carefree attitude to life. Woody is conservative in his bowler hat and multicoloured bow tie. He built his house with wood. Rocky is more practical in his working man’s garb. His own house is made of stone.

 

The wolf is drawn in his mafia-hit-man-inspired hat and trench coat, his cold eyes peep from under his leather hat.

Vector ‘painting’ technique: I created each element of the final design separately and composed the poster in a new file. To make it easier to handle the complicated arrangement of vector shapes, I use layers. At first, I draw out the lines over my scanned pencil sketch and then draw shapes for the basic light and shades. Once I have enough to clearly define the object, I fill in the appropriate colours and add more shading using transparent graphics.

 Poster design graphics: When I finished painting the wolf and pigs, I create a template for the poster and import the finished illustrations into place. The border designs and graphic texts are placed and I am done. Of course, I had to try several colours until I was satisfied. The final poster design is slightly different from my initial idea, but I am happy with the result.

Current Work: 'The Load Boy' Illustrations

I am currently working on a storybook commission titled The Load Boy. There are ten illustrations (one per chapter). I am just about to commence painting them in Adobe Photoshop. The pencil sketches are posted on my Pencil Jam portfolio. Posted here is the inked line art. The deadline is close, but I expect to make it in the nick of time.

Recent Work: Focus on some ‘VOTE’ design elements

As I collate the various files used during this project, I see some aspects I particularly enjoyed working on. Here are just a few.

I gave attention to the face on the first version of the My Vote My Future design. I used many transparent layers of vector shapes to achieve the final look of the portrait.

The image for the No Vote No Voice design was a bit rushed as I was really pressed for time. Yet, I still had to go through the process of penciling, inking and painting in Adobe Photoshop. The final gray scale look came out as desired.

The vector icons on the second My Vote My Future design are rendered in full colour. I particularly enjoyed the process of accomplishing the education-employment combo. Though simple, I think the final look communicates the message aptly.

A personal favourite is the unselected first version of The Power of The Thumb design. It was actually the very first of the whole gallery to be featured on the exclusive creatives site Designers Couch. I like the colour harmony and perspective of the thumb. Also, I played a little trick in achieving the thumb print ink stain. I converted a bitmap of a thumb print into vector using CorelTRACE. This made it easy to work with the print as a vector graphic in CorelDRAW.  

 

Current Work: 'VOTE' Campaign Design (4)

I am finally through with the last of the 'VOTE' campaign designs. This one, the 'No Vote No Voice' design, is presented in two options. The featured illustration of Nigerians queuing up to vote was penciled, inked and later painted in gray tones using Adobe Photoshop.